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from THE BOOK
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The Hungry Years
by William Leith
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Fiction Bond Street
Books Hardcover, 304 pages August 2005
$32.95 0-385-66115-0
One of Britain's best-known
journalists turns an unblinking eye on the mysteries
of hunger and addiction. In this excerpt from The
Hungry Years, William Leith gives us a glimpse
into his world of food, fat and addiction.
I wake up on the fattest day of my life, 20 January
2003. I am just over 6 feet tall, and weigh . . .
how much? I step on the scale and off it very quickly,
to limit the damage. 236 lbs. At best! My bathroom
floor slopes slightly, and I have positioned the scale
carefully to ensure the smallest possible reading.
236 lbs. Waist size: 36. This is how I feel: light-headed,
shaky, with a raw sensation, almost a pain, just below
my ribs. I can feel the acid wash of heartburn in
my gullet and the gurgle of juices in my guts.
Hunger.
I splash water on my face.
Hunger is the loudest voice in my head. I'm hungry
most of the time. I also feel bloated most of the
time. I am always too empty, and yet too full. I am
always too full, and yet too empty. Last night I ate
three platefuls of mash and gravy. I also had chicken
and vegetables. I can barely remember the chicken
or the vegetables. The mash was fluffy, starchy. I
could not relax until it had all gone. Then I licked
my plate clean. I picked the plate up and licked the
starch residue and congealing gravy. It tasted delicious,
vile, shameful. People sometimes ask me why I have
crusty stains on the lapels of my jacket or the bib
area of my shirt.
My girlfriend said, "I hate it when you do that."
"I thought you thought it was funny."
"No, I hate it."
"It's a tribute to your cooking."
"No, I hate it."
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Now it's early, and I want toast. God, I hope there's
some bread in the kitchen. God, I hope there's some
sliced bread in the kitchen. I really don't want to
do any slicing. In the morning, with low blood sugar,
it's like slicing a stone with a long, bendy razor
blade. I could easily have an accident. I swing myself
out of bed, my belly tight and sore under my T-shirt.
When I was slim, I slept naked, but now I dress for
bed, or rather don't fully undress; I wake up damper,
hotter, hungrier. My hunger frightens me. The fatter
I get, the more I want to eat. The fatter I get, the
more comfort I need. Right now, I want thick slices
of warm white bread, crispy on the outside, with butter
soaking into the middle.
My girlfriend is sitting on the sofa, smoking her
second cigarette of the day. This is seven-thirty
in the morning. She has a serious addiction. She hates
the fact that she smokes. She knows how hard it is
to quit, but that's not the problem. She's quit before.
But when she quits, she always goes back to smoking.
In some deep psychological place, she needs to be
a smoker. It's about her childhood, about protesting,
about punishing herself. It's all mixed up with her
identity. As a non-smoker, she feels like someone
else, and that scares her.
"First of the day?" I say, even though I can see there's
already a butt in the ashtray.
"Unfortunately not."
In the kitchen, there is most of a loaf of sliced
bread, and — yes! — the butter has been
left out all night, so it will be soft enough to spread.
When I was a kid, when I had my worst hunger, I hated
cold butter. Later, it didn't bother me so much —
I was patient enough to pare off thin slices, which
I would arrange carefully on the toast. Then I would
wait until the butter had melted, something I can't
imagine now.
Now I'm in a hurry. The bread is brown. Damn. Still,
I put two slices in the toaster, and, while I'm waiting,
I take another slice from the loaf, butter it, fold
it over, and eat it in three bites. I pop the toast,
to see if it's nearly done, but it's not — nowhere
near — so I butter another slice, and try, and
fail, to eat it slowly. Now, when I pop the toast,
it is slightly crisp, and slightly warm, so I take
a slice, butter it, eat the disappointing, mushy result,
and put another slice in the toaster. And then I realise
I should have put the second slice in the toaster
before I ate the first. As usual, I am falling behind.
back to top
I am in a toast frenzy. I have an urge, like in the
Burger King ad, in which 'urge' is an integral part
of the word 'Burger'. Although, of course, 'urge'
isn't an integral part of the word 'toast'. But I
am aching for toast. It's like a Mac Attack. (I have
actually suffered from Mac Attacks.) It's like a nicotine
fit. It's like the feeling you get in a coke-snorting
frenzy, when you say, "Shall we, um, do another line?"
and the reply is, "We've just done a line." Please
believe me when I say that I am not a coke fiend,
have not been one for years. I know about willpower.
Looking at the toaster, glaring at it, listening to
the buzz of its little engine or whatever, I stop
for a moment to make a cup of instant coffee, and
ask my girlfriend if she wants any toast.
"No thanks," she says. She never eats breakfast.
I open the fridge. Nothing for me in here. Tomatoes,
bacon, eggs, salad vegetables. On the worktop next
to the fridge, there is fruit in the fruit bowl. At
the moment, I am not interested in any of these things.
I am like a gay man looking at a girly magazine. I
want bread, cereal, croissants, bagels. I could eat
a baked potato, or some pasta, or some fried rice
left over from a Chinese or Indian takeaway.
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This actually crosses my mind. Might there be fried
rice in the house? Cold fried rice, the grains clumped
together, sitting on a bed of congealed fat? In a silver
takeaway carton? Once I saw a show, possibly an episode
of Trisha, in which a man had got fat because
he ate leftovers from Indian meals with his toast in
the morning. I love Trisha.
In any case, there is no fried rice in the house. In my heart, I
already know this. (Some famous addict once said that a true coke
addict knows when there is cocaine in the house, always, and cannot
stop snorting until all the cocaine has gone. Well, I always know when
there is fried rice in the house.)
And now, my breakfast is ready. Two slices of buttered
toast. No plate. I eat standing up. These days, I do
a lot of eating standing up. People seem to disapprove.
Perhaps that's why I do it. I take a sip of my instant
coffee — my girlfriend's brand, a brand which
is supposed to give more money to the growers, although
I'm not absolutely convinced. It is 'ethically sourced'.
It scalds my mouth. I eat the first slice of toast,
munching through it like a praying mantis eating a leaf.
Then I eat the second slice. And, for a moment, I'm
in a bad place — already bloated, but not yet
sated. Too full. Too empty. Clouds of self-disgust are
gathering on the horizon.
back to top
At least I haven't got a hangover. All I have is a slight
memory of the hungover state — a phantom. My head
still feels slightly fuzzy and sore when I wake up.
This is the morning of my twentieth day without alcohol.
I used to have a drink problem. Now I might and might
not have a drink problem. We'll see. Apart from soft
drugs, I am drug free. I am in a monogamous relationship,
so I do not feel a constant urge to flirt with women.
In any case, I'm too fat for this kind of behaviour.
That's all in my past, I think. When you get fat, these
sorts of opportunities are no longer open to you. When
you get fat, people find you a lot less attractive.
What happens to me is this: I get fat. Then I get fatter and fatter,
over a period of years, until I'm fatter than I've ever been. Then I
get slim again. But when I get slim, I'm never as slim as I was the
time before. And when I get fat, I'm always fatter than I was the time
before. Right now, at 236 lbs, I am close to obese. Another month, I'd
say, and I'll be obese.
Perhaps there will come a point, perhaps quite soon,
when it is just too late. Perhaps when I cross the border
from fat to obese I will be stuck, never again able
to claw my way back to slim. I'll be a lifer. Might
this happen? It happened to Orson Welles, to Sidney
Greenstreet, to Roscoe 'Fatty' Arbuckle. Big sad men,
communicating their pain slowly, silently, pound by
pound. It happened to John Belushi, to John Candy, to
Chris Farley. It looks like it's happening to Marlon
Brando, to John Goodman, John Prescott, Johnny Vegas.
It's almost certainly happening to Robbie Coltrane.
Coltrane, a decent actor, who, by being fat, has ruled
himself out of contention as a top-dollar leading man,
who could never be James Bond, but who was, instead,
a fat, smirking James Bond villain, and who ended up
as Hagrid, the fat wizard in Harry Potter,
gained an average of 14 lbs a year for the best part
of a decade. What was he trying to tell us? I once tried
to interview Coltrane about his weight gain, and it
was one of the most difficult interviews I've ever done.
Did he talk about his weight? A little bit, maybe. Did
he want to say how he felt? Much, much less. The feelings
were locked up in an oubliette deep inside his brain.
Fat people are not like coke fiends or alcoholics, who
sometimes like nothing better than talking about their
problems. With a fat person, there is an elephant in
the middle of the room, and nobody's allowed to mention
it.
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