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had questions like: who was the piano student Noor was reportedly
engaged to for five years before they parted when the Germans
invaded? Why did she need a stomach operation in the 30s? What
did it mean to be the daughter of a man like Hazrat Inayat Khan,
who brought his version of Sufism to the West, a version preaching
a Universal God unrecognizable to Islamists? And in a time when
India was struggling for independence from the Raj, how did Noor,
who came from so Indian a family, justify working for the Raj?
Imagination could slip between the silences, and informed speculation
could take over where non-fiction could not go. Noor herself captivated
and fascinated me, though not for the same reasons as she has
fascinated other writers. She made me wonder how it felt to be
a racially and culturally hybrid person during a war. What was
it like to be the only Muslim woman among the fifty women in clandestine
operations? What kind of survival skills would she have, being
nourished by her faith in Allah, yet aware of her minority status
as a colonial, a woman and a non-Christian?
WWII was covered in a chapter during my schooling in India. Though
2.5 million Indians had served, it wasn’t considered India’s
war. But from my research for What the Body Remembers,
the story of two women in a polygamous marriage in colonial India,
I knew of the man-made famine Indians had suffered as a result
of Churchill’s policies, and of the suppression of dissent
in India during the war. Churchill biographies are markedly silent
about his famine policies, which caused the deaths of 3.5 million
people in India. It isn’t top secret — anyone reading
Nehru’s most famous work of prison-writing, Discovery
of India, will discover the famine in the first chapter.
In 1943, Noor would have been as aware of that famine as any educated
expatriate Indian.
I wondered if Noor would have thought of herself as an expatriate
Indian or, being a second generation immigrant, would she have
thought of herself as French? I decided she could be Indian and
French. With an Indian father, she could also have thought of
herself as English, and with an American mother, she might have
thought of herself as American. Again, I decided she was both.
Was she Muslim or Christian? From Hazrat Inayat Khan’s teachings,
I concluded she must have been both, and that exclusivity and
single path solutions would have been foreign to her very being.
On
I went, collecting books that mentioned Noor, immersing myself
in accounts of London during the war, reading memoirs and other
books about Occupied France in French and English. I read many
fiction and non-fiction accounts of the double agent codenamed
Gilbert who betrayed several resistance networks only days after
Noor landed in France, and the radio game that misled the Gestapo
about D-day. In biographies of her father, I found Noor mentioned
in footnotes. The official History of the SOE [Special Operations
Executive] mentioned another woman, in a footnote — Renée
Garry. Writers who have written of Noor have mentioned but barely
explored the connection between these two footnotes, these two
women.
Reading
accounts of other resistance agents, I began to feel each of them,
not only Noor, deserved a book be written about their exploits.
But Noor was treated differently. Why was she held at the Avenue
Foch Gestapo HQ in Paris and not sent to a prison, work or death
camp like any other Allied agent? Was she tortured? Raped? The
accounts contradicted one another.
In India, I travelled to Baroda, now called Vadodara, to see Noor’s
ancestral home and meet her family. I tried to understand her
father’s message in relation to other preachers in the Sufi
tradition. To understand Noor’s time in Europe better, I
walked around Suresnes, the quaint little town outside Paris where
she grew up, went to La Mosquée where she must have prayed.
I sought out people who had lived in France during the war, and
Muslims who could help me understand Sufism. I followed her route
through England, France and Germany. Meeting people who had known
and loved her, visiting apartments she used as safe houses, places
from where she transmitted, and the prison where she was kept
enchained for ten months. The biography said she made a daring
escape attempt, but visiting 84 Avenue Foch in Paris, I doubted
it. Nor am I convinced by the Gestapo Chief ’s testimony
in Noor’s personal files in the Public Records office.
An area I thought would be a tremendous challenge, understanding
how people can slide into Fascism, was brought to me in real time
in contemporary America. After the World Trade Center tragedy
of 2001, people I knew began polarizing into pro- and anti-Bush
factions, with Bush-supporters acquiescing under the excuse of
“Security” to amazing violations of international
law, the law of the land, as well as civil and human rights. Just
as in the book, Noor searches for her beloved Armand Rivkin, who
has been rounded up as a terrorist and locked away in a camp,
some woman in Afghanistan waits and prays for news from Guantànamo
Bay about her husband or lover. Just as Noor was trying to send
her Armand a message in 1943, some woman is trying to reach her
“enemy combatant” husband through the International
Red Cross, hoping he is alive after two years in prison, hoping
he has not been tortured. And just as the French said in the 1940s,
“they must be black marketeers and terrorists,” many
Americans in my day are saying the same of the 1100 nameless people
rounded up after September 11, 2001, and of 3000 people mentioned
in Bush’s January 2003 State of the Union speech. I understand
Fascism now — it is that time when the worst in us is glorified
and rewarded by our leaders.
Noor challenged my preconceptions at every turn. A Muslim woman
who received the George Cross for aiding in sabotage operations,
a Muslim woman who received the Croix de Guerre for her bravery
in facing and killing two German soldiers. Was she a terrorist
or a valiant member of the resistance? It was a trompe l’oeil
where you consciously switch point of view so you can see either
a vase or two faces in profile, but not both. And like that illusion
flipping in and out of view, the picture is both: Noor is a terrorist
in the eyes of the Germans, and a formidable member of the French
resistance in the eyes of the Allies.
Other challenges: the second point of view character, Noor’s
brother Kabir — a pilot who, having bombed Germany during
the war, turns to religion
and becomes a Sufi pir like his father. And since I’m not
a Muslim, I read widely and talked with many students of Sufism
and Islam.
To write Noor’s story, I had to create her opposite. Her
captor Ernst Vogel — a Nazi. I had to understand his xenophobia,
racism and fears as Allied bombs rained down on his family in
Germany. Other writers have humanized their Nazi characters by
showing them with family. That was too facile. But Vogel became
human when I realized he had a need we all have — to be
loved. Though he himself had loved power so well he had become
incapable of love for others. Sadly, we all know men and women
like Vogel.
As I wrote, Noor taught me each of us is presented a choice at
every moment, to acquiesce or resist, to be faithful to the values
of love and justice or to compromise our principles for the sake
of comfort and advancement. Writing her story acted in a strange
way to teach me hope, and the importance of holding on to it.
Seeing through her eyes reminds me often that it’s a blessing
we cannot see the future. Reading about amazing acts of resistance,
I learned that even in a total war against empathy like the one
waged in Nazi Germany, not everyone succumbed. The Nazis could
not outlaw kindness, concern and compassion. Activists, concerned
Americans, writers and others who protest show me the same is
true in our times.
Some readers say The Tiger Claw is a novel about
fidelity and betrayal, others say it’s a love story, others
that it is about the birth of hope in an era of darkness. To many,
The Tiger Claw offers up parallels with a history
to which the world, including the USA, proclaimed, “Never
Again.” For me, the story is about the triumph of love and
hope over forces that try to kill our compassion, our humanity.
About love beyond physical existence. I trust you will come to
love Noor, Renée, Kabir, Vogel and all the other characters
in The Tiger Claw as much as I have.
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