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wasn’t.)
But as so many
of the others had done, he must, for the time being, make
New York his port. “New York is to explorers what Paris is to
artists,” he said.
The
next day, the horse and carriage were found on top of Signal Hill.
Her death was officially declared to be an accidental drowning.
But the story, which some children were only too glad to let me
overhear, was that she had climbed down the steep slope that faced
the sea, down to a grassy ledge, from which she jumped into a
narrow channel of water between the shore and the ice that stretched
off to the meeting place of sea and sky.
•••
“It’s time you really saw the sea,” Aunt Daphne said one day.
She and I drove in my mother’s cabriolet, pulled by Pete, to the
top of Signal Hill. As we ascended, I looked behind me at the
city, which from that height assumed the shape it had on maps.
We lived on the edge of civilization. North of St. John’s there
were settlements with names, but you could not call them towns.
St. John’s was on the edge of a frontier that had not changed
since it was fixed four hundred years ago. I imagined what it
looked like from the sea, the last light on the coast as you went
north, the last one worth investigating anyway. The forest behind
the outlying houses was as dense as the forest in the core. In
the woods between neighbourhoods, men set snares for rabbits,
hunted birds with rifles within a hundred feet of schoolyards.
Not outside the city but at some impossible-to-pinpoint place
inside it, civilization left off and wilderness began.
Halfway up the hill, the road reached a plateau on which there
were two hospitals, both strictly quarantined, one for diphtheria
and fever, and one for smallpox. The road gave them as wide a
berth as was permitted by the tolts of rock. I looked up at the
blockhouse, from which mercantile flags were hoisted whenever
ships making for St. John’s came into view. The purpose of the
flags was to alert waterfront firms that their ships were coming,
giving them time to prepare for docking and unloading.
“I saw the sea for the first time when I was twelve years old,”
Aunt Daphne said. She described how one day, in defiance of her
parents and her teachers, she first went up on Signal Hill. It
was not to see the sea, she said. She went with some other girls,
whose real goal was to see the gallows, about which they had heard
so many stories. But they went off course and wound up on the
summit of the hill.
“The
open sea,” she said. “I had known all along that it was there.
But that’s like knowing that the pyramids are there.”
We crested the hill, and Aunt Daphne brought Pete to a halt. I
saw the open Atlantic.
“Well,”
she said, turning her face sideways, shouting above the roar of
the wind that suddenly was everywhere.
“It’s
so flat,” I said.
She
smiled. I could think of nothing else to say. Sky. Wind. Light.
Air. Cold. Grey. Far. Salt. Smell. Now all these words meant something
they had never meant before, and the word sea contained them all.
The word sea spread outward in my mind, flooding all its chambers
until, by that one word, every word I knew was changed. I would
find, the next day, that from having seen the sea, I was better
able to smell and taste it, too, no matter where in the city I
was — indoors, outdoors, at home, at school, in my bedroom late
at night.
Excerpted
from The Navigator of New York by Wayne Johnston Copyright
2002 by Wayne Johnston. Excerpted by permission of Knopf Canada,
a division of Random House, Inc. All rights reserved. No part
of this excerpt may be reproduced or reprinted without permission
in writing from the publisher.
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