The Virgin Cure

Following in the footsteps of The Birth House, her powerful debut novel, The Virgin Cure secures Ami McKay’s place as one of our most beguiling storytellers. (Not that it has to… that is pretty much taken care of!)

“I am Moth, a girl from the lowest part of Chrystie Street, born to a slum-house mystic and the man who broke her heart.” So begins The Virgin Cure, a novel set in the tenements of lower Manhattan in the year 1871. As a young child, Moth’s father smiled, tipped his hat and walked away from his wife and daughter forever, and Moth has never stopped imagining that one day they may be reunited – despite knowing in her heart what he chose over them. Her hard mother is barely making a living with her fortune-telling, sometimes for well-heeled clients, yet Moth is all too aware of how she really pays the rent.

Life would be so much better, Moth knows, if fortune had gone the other way - if only she’d had the luxury of a good family and some station in life. The young Moth spends her days wandering the streets of her own and better neighbourhoods, imagining what days are like for the wealthy women whose grand yet forbidding gardens she slips through when no one’s looking. Yet every night Moth must return to the disease- and grief-ridden tenements she calls home.

The summer Moth turns twelve, her mother puts a halt to her explorations by selling her boots to a local vendor, convinced that Moth was planning to run away. Wanting to make the most of her every asset, she also sells Moth to a wealthy woman as a servant, with no intention of ever seeing her again.

These betrayals lead Moth to the wild, murky world of the Bowery, filled with house-thieves, pickpockets, beggars, sideshow freaks and prostitutes, but also a locale frequented by New York’s social elite. Their patronage supports the shadowy undersphere, where businesses can flourish if they truly understand the importance of wealth and social standing - and of keeping secrets. In that world Moth meets Miss Everett, the owner of a brothel simply known as an “infant school.” There Moth finds the orderly solace she has always wanted, and begins to imagine herself embarking upon a new path.

Yet salvation does not come without its price: Miss Everett caters to gentlemen who pay dearly for companions who are “willing and clean,” and the most desirable of them all are young virgins like Moth. That’s not the worst of the situation, though. In a time and place where mysterious illnesses ravage those who haven’t been cautious, no matter their social station, diseased men yearn for a “virgin cure” - thinking that deflowering a “fresh maid” can heal the incurable and tainted.

Through the friendship of Dr. Sadie, a female physician who works to help young women like her, Moth learns to question and observe the world around her. Moth’s new friends are falling prey to fates both expected and forced upon them, yet she knows the law will not protect her, and that polite society ignores her. Still she dreams of answering to no one but herself. There’s a high price for such independence, though, and no one knows that better than a girl from Chrystie Street.

Reviews

Finely crafted and remarkably researched…. While set in the past, the book informs the modern dialogue on feminism, the sex trade, and choice.”
—Stacey May Fowles, The Walrus
 
“A worthy follow up to…The Birth House…. Character, setting, mood and plot are melded naturally to create a Dickensian world of deprivation and determination.”
Winnipeg Free Press
 
“A powerful novel, rooted in the same elements that made The Birth House both critically lauded and a bestseller…. One of McKay’s gifts and skills as a writer is her ability to utterly immerse the reader in her fictional world…. A powerful, affecting novel.”
—Robert J. Wiersema, National Post
 
“Fans of McKay’s bestselling novel The Birth House are going to love The Virgin Cure…. McKay’s vivid prose can trigger in readers the taste of a hot bowl of oyster stew, the reek of Chrystie Street tenement houses and the sound of a taffeta skirt’s hem brushing the floor of a concert saloon…. It’s difficult not to swiftly turn the pages of The Virgin Cure.
Maclean’s
 
“A lovely novel, written in a style that is both clean and subtle. McKay’s voices are true; her characters sympathetic…. I’m certain readers will take to The Virgin Cure just as they did The Birth House.”
The Vancouver Sun

“A powerful new voice in Canadian writing.”
—Marjorie Anderson
 
“McKay is clearly a talented writer with a subtle sense of story, one that readers will look forward to hearing from, again and again.”
The Gazette
 
“McKay is such a wonderful storyteller with a strong sense of place and time.”
Library Journal